Kairos Collective | Erato
Kairos Collective’s acclaimed third album is dedicated to the source of music. Music originates from its composer’s mind. But how did it get there in the first place? Why does it come out the way it does? How does one decide that a piece is finished? Why does it sometimes feel like pieces are writing themselves?
> Straight to the liner notes >
(info, music and downloads below)
Album information
Tracks / total playing time 1:07:27
- Crimson / Nihâvend saz semâî
- Blackcap / Albanian folk melody
- Kilim / Janino
- Meltem / Hüseynî karşılama
- Erato / Acem-Bûselik medhal
- Muhayyer taksîm / Improvisation on the kanun
- Sapor / Muhayyer peşrev
- Manastırka / Poustséno / Pušteno
- Phoenix / Kürdî devr-i hindî
- Şivenüma taksîm / Improvisation on the violin
- Erebos / Şivenüma peşrev
- The Rose and the Nightingale / Phrygian phantasy
- Romanza / Acem Aşîrân saz semâî
- Aj Sarajevo / Nihâvend yürük semâî / Bojerka
Genre
Liner notes
Read all about the album, tracks, and sources of inspiration.
Credits
Musicians
Harris Lambrakis – ney [1, 2, 7-9, 11-13]
Giorgos Papaioannou – violin [1, 2, 7, 9, 10-13]
Nikos Papaioannou – cello [1, 2, 7, 9, 11-13]
Manolis Kanakakis – kanun [1, 2, 6, 7, 9, 11-13]
Taxiarchis Georgoulis – oud [1, 2, 7, 9, 11-13]
Marijia Katsouna – bendir [1, 2, 7, 11, 13], tombak [12]
Michiel van der Meulen – tambura [2-4, 8], double bass [14]
Michalis Kouloumis – violin [3, 4, 8]
Special guests
Ross Daly – tarhu [5]
Kelly Thoma – lyra [5]
Mayu Shviro – cello [5]
Vagelis Karipis – bendir, rek [9]
Jan Wollring – accordion [14]
Tracks
Tracks 1, 3-5, 7-9 and 11-14 were composed by Michiel van der Meulen. Track 2 is an arrangement of an Albanian folk melody. Tracks 6 and 10 are improvisations. Track 9 was recorded by Nikos Kollias at Antart Studios (Athens, Greece) on June 22, 2020; 3, 4 and 8 by Udo Pannekeet at Wedgeview Studios (Woerdense Verlaat, Netherlands) on November 21, 2020; 14 in the same studio on July 21, 2021; 5 by Vangelis Apostolou at Studio Vasmaris (Heraklion, Greece) on August 27, 2021; and 1, 2, 7, the finale of 9, and 10-13 by Nikos Kollias at Antart Studios (Athens, Greece) on May 22-24, 2022. A few corrective overdubs were recorded by Cengiz Arslanpay at his home studio (Utrecht, Netherlands) on June 26, 2022, and Nikos Paraoulakis at Studio K65 (Athens, Greece) on July 16, 2022. The album was mixed and mastered by Vangelis Apostolou at Studio Vasmaris between May 26 and November 2, 2022.
Album
Production, artwork and liner notes – Michiel van der Meulen
Acknowledgements
Many thanks are due to: Ross Daly and Labyrinth Musical Workshop for guidance and inspiration • The musicians and studio staff for the great time we spent and the great job they did • Evgenios Voulgaris for inspiring the arrangement of Romanza and his advice on the essence of a big sound • Sergios Voulgaris for advice on devr-i kebîr rhythmic patterns for bendir • Cengiz Arslanpay for explaining metaphors in Ottoman poetry • Pavlos Spyropoulos for lending us his double bass • Remco Busink for modifying our tambura • Sven van der Gijp for extending Kairos Collective to the Netherlands • The Theocharopoulou-Orfanidis and Papaioannou families for hospitality during the Greek recording sessions and friendship in general • My family and inlaws for their generous support of the project • Dominy Clements for proofreading the liner notes • Martine van der Meulen for love and understanding – this album is, as always and more than ever, for you.
TouMilou Records #6 / EAN 8714835139188
© 2022 M.J. van der Meulen/TouMilou
Reviews and mentions
(Use the contact form to request a review copy of the digital or physical album)
- Lex Bohlmeijer, Passaggio Late Night (NPO Radio 4; January 10, 2023; in Dutch): “A fantastic Hollandse Nieuwe! [Dutch release featured by NPO], this is a truly remarkable adventure.”
- Roger Holdsworth, Global Village (PBS-FM, Melbourne, Australia; January 1, 2023): “…a lovely new album from the Kairos Collective. The beautiful modal music is composed by Dutch bassist Michiel van der Meulen.”
- Jan Willem Broek, De Subjectivisten (November 28, 2022; in Dutch): “Where does this music come from? There is no clear-cut answer, Utrecht would be too simple, but it resulted in a fantastic, unparalleled World album.”
- Holly Moors, Moors Magazine (November 13, 2022; in Dutch): “…it is more than just music, you can almost smell the centuries that inspired it. This third album is again one to cherish.”
Hollandse Nieuwe! / Featured Dutch release series
Erato was selected as the second Hollandse Nieuwe! of 2023, that is, featured for a week on NPO Klassiek in the programs Passaggio Late Night (weekdays) and Vrije Geluiden (weekend) with two tracks per day combined fragments of an interview (in Dutch).
Selected fragments:
- Part II: Ross Daly (10.01.23) / about studying composition / featured tracks: Muhayyer taksîm [6], Erato [5]
- Part III: Modaal (11.01.23) / about contemporary modal music and the recording sessions / featured tracks: Manastırka [8], Meltem [4]
- Part IV: Kairos (12.01.23) / about inspiration / featured tracks: The Rose and the Nightingale [12] & Kilim [3]
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Downloads
Album art (1000 x 1000 px jpg)
Scores (pdf)
About the album artwork
Sir Edward John Poynter (Paris, 20 March 1836 – London, 26 July 1919), was an English painter and draughtsman with a long and distinguished career that earned him a knighthood and an honorary Cambridge degree in 1898, and a baronetcy in 1902. His ‘Erato, Muse of Poetry’ (1870, watercolour on paper, 47 x 33 cm) is more chaste and delicate than the generally voluptuous, exalted, Baroque to Romantic-era depictions. Apart from the fact that she is winged, Poynter’s Erato is a mythologically faithfull represention of the muse of love poetry, which I chose because of the beauty of the eyes. The artwork of the scores book is from Nederlandsche Vogelen (‘Dutch Birds’) by Cornelis Nozeman and Christiaan Sepp, the monumental, beautifully illustrated, five-part first Dutch avifauna, which appeared between 1770 and 1829.